This really is a model used by many British universities and publishers.
Example 1: Using Quotations
The extract below, from a paper on Muriel Spark’s The Prime of Miss Jean Brodie, shows how quotations may be used. Considering that the paper quotes through the novel extensively, page numbers are observed inside the main body of this text, in parentheses, after complete bibliographical details have been provided in a footnote to the first quotation. Quotations from secondary sources are referenced by footnotes. Short quotations are included, in quotation marks, within the main body for the paper, while the longer quotation, without quotation marks, makes up an paragraph that is indented. Keep in mind that even if the writing because of the composer of the paper is along with quotations from the novel and sources that are secondary sentences continue to be grammatically correct and coherent.
Jean Brodie is convinced associated with the rightness of her own power, and uses it in a frightening manner: ‘Give me a woman at an impressionable age, and she actually is mine for life’. 1 this really is Miss Brodie’s adoption of the Jesuit formula, but, whereas they claim the kid for God, she moulds the kid on her own ends. ‘You are mine,’ she says, ‘. of my stamp and cut . ‘ (129). When Sandy, her most pupil that is perceptive sees the ‘Brodie set’ ‘as a body with Miss Brodie for the head’ (36), there was, as David Lodge points out, a biblical parallel using the Church once the body of Christ. 2 God is Miss Jean Brodie’s rival, and this is demonstrated in a literal way when certainly one of her girls, Eunice, grows religious and it is preparing herself for confirmation. She becomes increasingly independent of Miss Brodie’s influence and decides to carry on the Modern side in the senior high school although Jean Brodie makes clear her very own preference when it comes to Classical. Eunice will not continue her role since the group’s jester, or even to go with them to the ballet. Cunningly, her tutor attempts to regain control by playing on the religious convictions:
All that term she tried to inspire Eunice in order to become at the very least a pioneer missionary in some deadly and dangerous zone associated with the earth, for it was intolerable to Miss Brodie that any one of her girls should grow up not largely focused on some vocation. ‘You certainly will end up being a woman Guide leader in a suburb like Corstorphine’, she said warningly to Eunice, who had been in fact secretly attracted to this idea and who lived in Corstorphine. (81)
Miss Brodie has different plans for Rose; this woman is to be a ‘great lover’ (146), and her tutor audaciously absolves her through the sins this will entail: ‘she is over the moral code, it doesn’t apply to her’ (146). This dismissal of possible retribution distorts the girls’ judgement of Miss Brodie’s actions.
The above mentioned passage is extracted from Ruth Whittaker, The Faith and Fiction of Muriel Spark (London and Basingstoke: MacMillan, 1982), pp.106-7.